Deux ou trois choses que je sais deux (Documents Français) (French Edition)

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All of the film's sexual interplay is banal instead of erotic, and one client, an American wearing a shirt with his country's flag, demands the women he has hired wear airline shopping bags over their heads. Though there was a script, there are many moments in which the cast breaks the fourth wall, looking into the camera and giving seemingly random monologues about what they think about life and themselves. Vlady and other actors wore earpieces through which the director would ask surprise questions, often catching Vlady off-guard because she was required to give spontaneous answers that were appropriate to her character.

Godard began production on the film in the summer of Shortly afterwards, he was approached by his producer Georges de Beauregard to quickly make a film for him due to a financial difficulty after Jacques Rivette 's film The Nun was banned by the French government. The film was first inspired by an article in Le Nouvel Observateur about prostitution in the suburbs by Catherine Vimenet. In other words, it isn't a film, it's an attempt at a film and presented as such.

Juliette lives in one of many supposedly-luxurious high-rises being erected in the banlieues suburbs of Paris. While meant to provide housing to families working in the growing capital during the prosperous post-war years, Godard sees the banlieues as the infrastructure for promoting a value system based on consumerism, a term he equates with prostitution itself:.

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  • Jean Luc Godard - Poster Deux ou trois choses que je sais d'elle - Catawiki?
  • 2 ou 3 choses que je sais d'elle : [a film script].
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